Jumping Horse
Else Wex-Cleemann (Ciudad Bolivár/Venezuela 1890 - Bad Oldesloe 1978)
Lot-No. 427
Starting Bid: 1.000 €
1944. Oil/canvas. 71 x 92,5 cm. On the stretcher signed and dated Else Wex-Cleemann 1944 as well as titled. Small pigment losses. - Landscape, portrait, and still-life painter. W.-C. studied at the School of Applied Arts in Hamburg and learned graphic techniques under F. Behnke. She continued her studies with L. Corinth in Berlin and in Paris. She was a member of the Hamburg Artists’ Association and participated in group exhibitions with, among others, P. Modersohn-Becker and Clara Westhoff-Rilke, as well as at the Haus der Kunst in Munich. In 1937, one of her paintings was confiscated in Kiel as 'degenerate'. Throughout her life, W.-C. painted in a figurative style influenced by K. Kollwitz and H. Meid. Mus.: Lübeck, Kiel, Flensburg, Schleswig (SHLM). Lit.: Vollmer, Der Neue Rump, Heydorn a. others.
Else Wex-Cleemann: Jumping Horse
Else Wex-Cleemann (Ciudad Bolivár/Venezuela 1890 - Bad Oldesloe 1978)
Jumping Horse
Lot-No. 427
Starting Bid: 1.000 €
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| Date: | 1944 |
|---|---|
| Technique: | Oil/canvas |
| Dimensions: | 71 x 92,5 cm |
| Mark/Notation: | On the stretcher signed and dated Else Wex-Cleemann 1944 as well as titled |
| Condition: | Small pigment losses |
Vita:
Landscape, portrait, and still-life painter. W.-C. studied at the School of Applied Arts in Hamburg and learned graphic techniques under F. Behnke. She continued her studies with L. Corinth in Berlin and in Paris. She was a member of the Hamburg Artists’ Association and participated in group exhibitions with, among others, P. Modersohn-Becker and Clara Westhoff-Rilke, as well as at the Haus der Kunst in Munich. In 1937, one of her paintings was confiscated in Kiel as 'degenerate'. Throughout her life, W.-C. painted in a figurative style influenced by K. Kollwitz and H. Meid. Mus.: Lübeck, Kiel, Flensburg, Schleswig (SHLM). Lit.: Vollmer, Der Neue Rump, Heydorn a. others.
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