A Pair of Rare Art deco Candelabras No. 619
Harald Christian Nielsen (Bårse, Dänemark 1892 - Hellerup, Dänemark 1977)
Lot-No. 623
Starting Bid: 3.500 €
Georg Jensen, Copenhagen. Designed around 1930, made 1945-1977. Sterling silver. Marks: DENMARK STERLING, Georg Jensen (pearl mark), master's mark: DESSIN HN, model no. 619. H. 16,8 cm, w. 17,2 cm, total approx. weight 808 g. Graceful two-armed chandelier on a round, profiled stand, 'Acorn' motif in the centre, inspired by the design pattern created by Johan Rohde around 1915. Chandelier arms with slightly hammered surface - Literature: Taylor/Laskey, page 218 - Danish silversmith, was associated with the Georg Jensen silversmiths throughout his life, first as an apprentice, then as a designer and finally as artistic director from 1958 to 1962. As Georg Jensen's most trusted colleague, he continued his life's work after his death. Nielsen was not only a masterful designer himself, but was also responsible for the smooth transition from the ‘first’ generation of company designers, Georg Jensen and Johan Rohde, to the next generation and knew how to maintain the high standards of craftsmanship and design creativity
Harald Christian Nielsen: A Pair of Rare Art deco Candelabras No. 619
Harald Christian Nielsen (Bårse, Dänemark 1892 - Hellerup, Dänemark 1977)
A Pair of Rare Art deco Candelabras No. 619
Lot-No. 623
Starting Bid: 3.500 €
Manufacturer: | Georg Jensen, Copenhagen |
Date: | Designed around 1930, made 1945-1977 |
Technique: | Sterling silver. Marks: DENMARK STERLING, Georg Jensen (pearl mark), master's mark: DESSIN HN, model no. 619 |
Dimensions: | H. 16,8 cm, w. 17,2 cm, total approx. weight 808 g |
Description: | Graceful two-armed chandelier on a round, profiled stand, 'Acorn' motif in the centre, inspired by the design pattern created by Johan Rohde around 1915. Chandelier arms with slightly hammered surface |
References: | Taylor/Laskey, page 218 |
Vita:
Danish silversmith, was associated with the Georg Jensen silversmiths throughout his life, first as an apprentice, then as a designer and finally as artistic director from 1958 to 1962. As Georg Jensen's most trusted colleague, he continued his life's work after his death. Nielsen was not only a masterful designer himself, but was also responsible for the smooth transition from the ‘first’ generation of company designers, Georg Jensen and Johan Rohde, to the next generation and knew how to maintain the high standards of craftsmanship and design creativity



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