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Garden at Weyerberg

Lisel Oppel (Bremen 1897 - Worpswede 1960)


Garden at Weyerberg

Lot-No. 133

Proceeds : 3.200 €


Oil/masonite, 60 x 50 cm, lo. l. sign. and dated Lisel Oppel 1947 (?), hardly readable, on reverse by onother hand inscribed. - Exhibition: 2006 "Gartenträume-Bilder aus deutschen Künstlerkolonien", Große Kunstschau Worpswede, 2011-2017 loan collection Overbeck-Museum, Bremen. - Literature: published in: C. Krause, Die Bildwelt der Malerin Lisel Oppel, Bremen 2016, p. 76. - Provenance: Collection H. Wittig/Fricke. - German painter. O.learned at the State School of Applied Arts in Bremen and studied at the Academy in Munich. In 1919 she settled in Worpswede and moved 1920 in Martha Vogeler's house in Schluh. She made numerous journeys to the south and worked also as a ceramist and porcelain painter. She belongs to the second generation of Worpswede artists and loved the popular motifs: the moors, lanterns, flowers and barnhouses as well as children's portraits.

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Lisel Oppel: Garden at Weyerberg


Lisel Oppel (Bremen 1897 - Worpswede 1960)

Garden at Weyerberg

Lot-No. 133

Proceeds : 3.200 €

Print

Oil/masonite, 60 x 50 cm, lo. l. sign. and dated Lisel Oppel 1947 (?), hardly readable, on reverse by onother hand inscribed. - Exhibition: 2006 "Gartenträume-Bilder aus deutschen Künstlerkolonien", Große Kunstschau Worpswede, 2011-2017 loan collection Overbeck-Museum, Bremen. - Literature: published in: C. Krause, Die Bildwelt der Malerin Lisel Oppel, Bremen 2016, p. 76. - Provenance: Collection H. Wittig/Fricke. - German painter. O.learned at the State School of Applied Arts in Bremen and studied at the Academy in Munich. In 1919 she settled in Worpswede and moved 1920 in Martha Vogeler's house in Schluh. She made numerous journeys to the south and worked also as a ceramist and porcelain painter. She belongs to the second generation of Worpswede artists and loved the popular motifs: the moors, lanterns, flowers and barnhouses as well as children's portraits.

Garden at Weyerberg