Landing Stage in the Haven of Finkenwerder
Gretchen Wohlwill (Hamburg 1878 - Hamburg 1962)
Lot-No. 161
Late 1920s, oil/canvas, 75,5 x 94 cm, on the reverse another view of the Finkenwerder haven. - Cat. rais.: Rosenkranz 9 &10. - Painter a. graphic artist, studied at the Ladies painting school of Valeska Röver in Hamburg under E. Eitner a. A. Illies a. in Paris at the Académie Stettler, assistant in the studio of H. Matisse, co-founder of the Hamburg secession, emigrated to Portugal in 1940, returned to Hamburg in 1952, her impressionist style became influenced by P. Cézanne a. H. Matisse during her Paris sojourn, later she turned to New Objectivity a. the Hamburg secession style. - Mus.: Hamburg (Hamburger Kunsthalle, Altonaer Mus.), Schleswig (SHLM), Flensburg a. others. - Lit.: Der Neue Rump, Bruhns: G.W. - eine jüdische Malerin aus Hamburg with cat. rais. a. others.
Gretchen Wohlwill: Landing Stage in the Haven of Finkenwerder
Gretchen Wohlwill (Hamburg 1878 - Hamburg 1962)
Landing Stage in the Haven of Finkenwerder
Lot-No. 161
Late 1920s, oil/canvas, 75,5 x 94 cm, on the reverse another view of the Finkenwerder haven. - Cat. rais.: Rosenkranz 9 &10. - Painter a. graphic artist, studied at the Ladies painting school of Valeska Röver in Hamburg under E. Eitner a. A. Illies a. in Paris at the Académie Stettler, assistant in the studio of H. Matisse, co-founder of the Hamburg secession, emigrated to Portugal in 1940, returned to Hamburg in 1952, her impressionist style became influenced by P. Cézanne a. H. Matisse during her Paris sojourn, later she turned to New Objectivity a. the Hamburg secession style. - Mus.: Hamburg (Hamburger Kunsthalle, Altonaer Mus.), Schleswig (SHLM), Flensburg a. others. - Lit.: Der Neue Rump, Bruhns: G.W. - eine jüdische Malerin aus Hamburg with cat. rais. a. others.
