Victoria I
Gerhard Richter (Dresden 1932)
Lot-No. 462
Starting Bid: 1.000 €
2003. Offset in colours. 60 x 40 cm. Framed under acrylic glass, uninspected out of frame. Lower right signed and dated in the print Richter 2003, lower left titled. - Richter is one of the most highly regarded contemporary artists. After training as a commercial artist, he studied at the Dresden Art Academy from 1951 and created numerous murals while still a student. In 1961, he moved to the West and resumed his studies until 1964. At the Düsseldorf Academy, he met S. Polke, G. Uecker, G. Graubner, and others. From 1971 to 1993, he himself was a professor at the Düsseldorf Academy. R. is a very versatile artist who has tried his hand at different styles. He is best known for his precisely painted, deliberately washed-out historical motifs, his colorful, giant abstract formats created with a squeegee, and his seemingly random combinations of color fields.
Gerhard Richter: Victoria I
Gerhard Richter (Dresden 1932)
Victoria I
Lot-No. 462
Starting Bid: 1.000 €
Place bid Save artist Print Request details
| Date: | 2003 |
|---|---|
| Technique: | Offset in colours |
| Dimensions: | 60 x 40 cm |
| Frame: | Framed under acrylic glass, uninspected out of frame |
| Mark/Notation: | Lower right signed and dated in the print Richter 2003, lower left titled |
Vita:
Richter is one of the most highly regarded contemporary artists. After training as a commercial artist, he studied at the Dresden Art Academy from 1951 and created numerous murals while still a student. In 1961, he moved to the West and resumed his studies until 1964. At the Düsseldorf Academy, he met S. Polke, G. Uecker, G. Graubner, and others. From 1971 to 1993, he himself was a professor at the Düsseldorf Academy. R. is a very versatile artist who has tried his hand at different styles. He is best known for his precisely painted, deliberately washed-out historical motifs, his colorful, giant abstract formats created with a squeegee, and his seemingly random combinations of color fields.
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