Potiphar's Wife Accusing Joseph
Lucas van Leyden (Leiden 1494 - Leiden 1533)
Lot-No. 550
Starting Bid: 1.200 €
1512. Engraving. 12 x 16 cm. Under glass without frame. Upper middle monogrammed and dated in the print L 1512, on the reverse collector's stamp OP (Lugt 4830). Trimmed. - Provenance: Collection of Otto Hermann Pauly (1872-1942); at last private collection Schleswig-Holstein - Dutch painter, draftsman, and printmaker. L. was trained by his father and by Cornelis Engelbrechtsen. He was considered a child prodigy who developed his own distinctive style at an early age. In terms of virtuosity in copperplate engraving, he is on par with Dürer. L. is also regarded as a leading master of Dutch Mannerism and a pioneer of genre painting. Mus.: Paris (Louvre), Amsterdam (Rijksmuseum), St. Petersburg (Eremitage) a. others. Lit.: Thieme-Becker, Bénézit.
Lucas van Leyden: Potiphar's Wife Accusing Joseph
Lucas van Leyden (Leiden 1494 - Leiden 1533)
Potiphar's Wife Accusing Joseph
Lot-No. 550
Starting Bid: 1.200 €
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| Date: | 1512 |
|---|---|
| Technique: | Engraving |
| Dimensions: | 12 x 16 cm |
| Frame: | Under glass without frame |
| Mark/Notation: | Upper middle monogrammed and dated in the print L 1512, on the reverse collector's stamp OP (Lugt 4830) |
| Condition: | Trimmed |
| Provenance: | Collection of Otto Hermann Pauly (1872-1942); at last private collection Schleswig-Holstein |
Vita:
Dutch painter, draftsman, and printmaker. L. was trained by his father and by Cornelis Engelbrechtsen. He was considered a child prodigy who developed his own distinctive style at an early age. In terms of virtuosity in copperplate engraving, he is on par with Dürer. L. is also regarded as a leading master of Dutch Mannerism and a pioneer of genre painting. Mus.: Paris (Louvre), Amsterdam (Rijksmuseum), St. Petersburg (Eremitage) a. others. Lit.: Thieme-Becker, Bénézit.
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