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The Language of Flowers

REN Rong (Nanjing 1960)


REN Rong - The Language of Flowers

Lot-No. 601

Starting Bid: 2.000 €


2012. Stainless steel, polished. H. 60,5 x 24,5 x 14,5 cm. Signed and dated Ren Rong 012, numbered copy 5/15. A symbiotic sculpture that combines a human face with the vegetal element of a flowering vine, depicting a harmonious union between humanity and nature - Expertise: Certificate by Kunsthaus Artes, Hannover, 4th July 2018 - Provenance: Acquired in 2018 at Kunsthaus Artes, Hanover; in a private collection in Hamburg ever since - Chinese Post-modern artist, lives and works in Germany and China, 1982-86 studies at the Nanjing art academy, since 1986 in German, several exhibitions and awards. The artist is internationally known for his 'plant people' created from a wide variety of materials Mus.: Hong Kong Museum of Art; Nanjing Art Museum, Nanjing; Museum Kunst Palast, Düsseldorf and many others

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REN Rong: The Language of Flowers


REN Rong (Nanjing 1960)

The Language of Flowers

Lot-No. 601

Starting Bid: 2.000 €

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Date: 2012
Technique: Stainless steel, polished
Dimensions: H. 60,5 x 24,5 x 14,5 cm
Mark/Notation: Signed and dated Ren Rong 012, numbered copy 5/15
Description: A symbiotic sculpture that combines a human face with the vegetal element of a flowering vine, depicting a harmonious union between humanity and nature
Confirmation: Certificate by Kunsthaus Artes, Hannover, 4th July 2018
Provenance: Acquired in 2018 at Kunsthaus Artes, Hanover; in a private collection in Hamburg ever since

Vita:

Chinese Post-modern artist, lives and works in Germany and China, 1982-86 studies at the Nanjing art academy, since 1986 in German, several exhibitions and awards. The artist is internationally known for his 'plant people' created from a wide variety of materials Mus.: Hong Kong Museum of Art; Nanjing Art Museum, Nanjing; Museum Kunst Palast, Düsseldorf and many others

REN Rong - The Language of Flowers
The Language of Flowers - image 1 The Language of Flowers - image 2 The Language of Flowers - image 3

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