Patterns
Gerhard Richter (Dresden 1932)
Lot-No. 95
Starting Bid: 1.000 €
2011. Book. 27 x 40 cm. Autographed Richter and numbered 148/200. Tiny tear along the back edge. Divided - Mirrored - Repeated. Half-linen binding with a coloured dust jacket. One of 200 numbered copies signed by Richter (total print run: 850 copies). In its original box - Richter is one of the most highly regarded contemporary artists. After training as a commercial artist, he studied at the Dresden Art Academy from 1951 and created numerous murals while still a student. In 1961, he moved to the West and resumed his studies until 1964. At the Düsseldorf Academy, he met S. Polke, G. Uecker, G. Graubner, and others. From 1971 to 1993, he himself was a professor at the Düsseldorf Academy. R. is a very versatile artist who has tried his hand at different styles. He is best known for his precisely painted, deliberately washed-out historical motifs, his colorful, giant abstract formats created with a squeegee, and his seemingly random combinations of color fields.
Gerhard Richter: Patterns
Gerhard Richter (Dresden 1932)
Patterns
Lot-No. 95
Starting Bid: 1.000 €
Place bid Save artist Print Request details
| Date: | 2011 |
| Technique: | Book |
| Dimensions: | 27 x 40 cm |
| Mark/Notation: | Autographed Richter and numbered 148/200 |
| Condition: | Tiny tear along the back edge |
| Description: | Divided - Mirrored - Repeated. Half-linen binding with a coloured dust jacket. One of 200 numbered copies signed by Richter (total print run: 850 copies). In its original box |
Vita:
Richter is one of the most highly regarded contemporary artists. After training as a commercial artist, he studied at the Dresden Art Academy from 1951 and created numerous murals while still a student. In 1961, he moved to the West and resumed his studies until 1964. At the Düsseldorf Academy, he met S. Polke, G. Uecker, G. Graubner, and others. From 1971 to 1993, he himself was a professor at the Düsseldorf Academy. R. is a very versatile artist who has tried his hand at different styles. He is best known for his precisely painted, deliberately washed-out historical motifs, his colorful, giant abstract formats created with a squeegee, and his seemingly random combinations of color fields.
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