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Le couple sur le cheval

Marc Chagall (Witebsk 1887 - St.-Paul-de-Vence 1985)


Le couple sur le cheval

Lot-No. 45

Starting Bid: 800 €


1980. Etching. 40 x 29,5 cm. Framed under glass. Lower right autographed Marc Chagall, lower left numbered 9/30. - Literature: Catalobue raisoné: Sorlier 107 - One of the most important artists of the 20th century, whose beginnings lay in Fauvism and who later found a distinctive lyrical-modern form of expression. C. attended private painting schools in St. Petersburg after failing to gain admission to the academy. With the help of a scholarship, he was able to move to Paris in 1910, where he soon found a connection to the avant-garde art scene and was able to take part in the customary exhibitions. During a visit to Russia, the First World War broke out and prevented C. from returning to Paris. He was unable to assert himself against Malevich as a cultural functionary of the Revolution and, after a stop in Berlin, he returned to France. Persecution of the Jews forced him into exile in New York in 1941-48, where he was honoured with a retrospective at MoMA. Back in France, he exhibited in many important European museums as well as at Documenta and received important public commissions. Mus.: New York (MoMA, Guggenheim Mus.), Paris (Centre Pompidou), London (Tate), Amsterdam (Stedelijk Mus.), Zurich (Kunsthaus), Chicago (Art Institute) a. others. Lit.: AKL, Mourlot/Sorlier: Chagall - Lithographe a. others.

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Marc Chagall: Le couple sur le cheval


Marc Chagall (Witebsk 1887 - St.-Paul-de-Vence 1985)

Le couple sur le cheval

Lot-No. 45

Starting Bid: 800 €

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Date: 1980
Technique: Etching
Dimensions: 40 x 29,5 cm
Frame: Framed under glass
Mark/Notation: Lower right autographed Marc Chagall, lower left numbered 9/30
References: Catalobue raisoné: Sorlier 107

Vita:

One of the most important artists of the 20th century, whose beginnings lay in Fauvism and who later found a distinctive lyrical-modern form of expression. C. attended private painting schools in St. Petersburg after failing to gain admission to the academy. With the help of a scholarship, he was able to move to Paris in 1910, where he soon found a connection to the avant-garde art scene and was able to take part in the customary exhibitions. During a visit to Russia, the First World War broke out and prevented C. from returning to Paris. He was unable to assert himself against Malevich as a cultural functionary of the Revolution and, after a stop in Berlin, he returned to France. Persecution of the Jews forced him into exile in New York in 1941-48, where he was honoured with a retrospective at MoMA. Back in France, he exhibited in many important European museums as well as at Documenta and received important public commissions. Mus.: New York (MoMA, Guggenheim Mus.), Paris (Centre Pompidou), London (Tate), Amsterdam (Stedelijk Mus.), Zurich (Kunsthaus), Chicago (Art Institute) a. others. Lit.: AKL, Mourlot/Sorlier: Chagall - Lithographe a. others.

Le couple sur le cheval
Le couple sur le cheval - image 1 Le couple sur le cheval - image 2

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