Two Nudes
Dorothea Maetzel-Johannsen (Lensahn 1886 - Hamburg 1930)
Lot-No. 318
Proceeds : 2.500 €
Watercolour over pencil. 19 x 14 cm. Unframed. On the reverse inscribed 'für Joachim Frankenbach von Monja am 14.II.1992. Aus dem Nachlaß von Dorothea Maetzel-Johannsen'. - Expertise: We would like to thank Konstantin Buchholz for kindly confirming the authenticity - Provenance: From the artist's estate in 1992 to Joachim Frankenbach; lastly private collection Hamburg - Figure, still life and landscape painter, student of L. Corinth, married to the painter and architect Emil Maetzel, educational journeys to Paris and Chartres, member of the Hamburg Secession, started with expressionistic woodcuts, the pictorial oeuvre was mainly created in her last decade of life and mainly uses a expressionist pictorial language. Mus.: Hamburg, Schleswig (SHLM). Lit.: Thieme-Becker, Vollmer, Der Neue Rump, J. Buchholz u.a.: D. M.-J., mit einem WVZ der Ölbilder, Neumünster 2013 u.a.
Dorothea Maetzel-Johannsen: Two Nudes
Dorothea Maetzel-Johannsen (Lensahn 1886 - Hamburg 1930)
Two Nudes
Lot-No. 318
Proceeds : 2.500 €
| Technique: | Watercolour over pencil |
| Dimensions: | 19 x 14 cm |
| Frame: | Unframed |
| Mark/Notation: | On the reverse inscribed 'für Joachim Frankenbach von Monja am 14.II.1992. Aus dem Nachlaß von Dorothea Maetzel-Johannsen' |
| Confirmation: | We would like to thank Konstantin Buchholz for kindly confirming the authenticity |
| Provenance: | From the artist's estate in 1992 to Joachim Frankenbach; lastly private collection Hamburg |
Vita:
Figure, still life and landscape painter, student of L. Corinth, married to the painter and architect Emil Maetzel, educational journeys to Paris and Chartres, member of the Hamburg Secession, started with expressionistic woodcuts, the pictorial oeuvre was mainly created in her last decade of life and mainly uses a expressionist pictorial language. Mus.: Hamburg, Schleswig (SHLM). Lit.: Thieme-Becker, Vollmer, Der Neue Rump, J. Buchholz u.a.: D. M.-J., mit einem WVZ der Ölbilder, Neumünster 2013 u.a.
