The Swing
Dorothea Maetzel-Johannsen (Lensahn 1886 - Hamburg 1930)
Lot-No. 156
1928, oil/canvas, 130 x 100 cm, lo. ri. fragment of a signature D. Maetzel-Johannsen, relined to the margins. - Exhibition: 'Die Schaukel' and 'Seifenblasen III' were exhibited in the Hamburg Kunsthalle in 1928. - Literature: The painting is publishes with ill.: D. M.-J. Leben und Werk, 2013, p. 121; K. von Behr: D. M.-J. Nachlese 2016, p. 97. - Figure, still life and landscape painter, student of L. Corinth, married to the painter and architect Emil Maetzel, educational journeys to Paris and Chartres, member of the Hamburg Secession, started with expressionistic woodcuts, the pictorial oeuvre was mainly created in her last decade of life and mainly uses a expressionist pictorial language. Mus.: Hamburg, Schleswig (SHLM). Lit.: Thieme-Becker, Vollmer, Der Neue Rump, J. Buchholz u.a.: D. M.-J., mit einem WVZ der Ölbilder, Neumünster 2013 u.a.
Dorothea Maetzel-Johannsen: The Swing
Dorothea Maetzel-Johannsen (Lensahn 1886 - Hamburg 1930)
The Swing
Lot-No. 156
1928, oil/canvas, 130 x 100 cm, lo. ri. fragment of a signature D. Maetzel-Johannsen, relined to the margins. - Exhibition: 'Die Schaukel' and 'Seifenblasen III' were exhibited in the Hamburg Kunsthalle in 1928. - Literature: The painting is publishes with ill.: D. M.-J. Leben und Werk, 2013, p. 121; K. von Behr: D. M.-J. Nachlese 2016, p. 97. - Figure, still life and landscape painter, student of L. Corinth, married to the painter and architect Emil Maetzel, educational journeys to Paris and Chartres, member of the Hamburg Secession, started with expressionistic woodcuts, the pictorial oeuvre was mainly created in her last decade of life and mainly uses a expressionist pictorial language. Mus.: Hamburg, Schleswig (SHLM). Lit.: Thieme-Becker, Vollmer, Der Neue Rump, J. Buchholz u.a.: D. M.-J., mit einem WVZ der Ölbilder, Neumünster 2013 u.a.
