Blue fruits
Qi Baishi (Xiangtan 1864 - Peking 1957)
Lot-No. 323
China, 20th cent. Ink/water colour on paper, lo. ri. dat. 'jiuyi sui' (九一歳), sign. 'Baishi' (白石) and seal of the artist 'muren' (木人), 31,5 x 21,5 cm. - influential Chinese painter. Born to a peasant family from Xiangtan, Hunan, Qi became a carpenter at 14, and learned to paint by himself. After he turned 40, he traveled, visiting various scenic spots in China. After 1917 he settled in Beijing. Probably most noted for the whimsical, often playful style of his watercolor works. Some of his major influences include the early Qing dynasty painter Bada Shanren (Zhu Da) and the Ming dynasty artist Xu Wei. His pseudonyms include Qi Huang (齊璜) and Qi Weiqing (齐渭清). The subjects of his paintings include almost everything, commonly animals, scenery, figures, toys, vegetables, and so on. He theorized that "paintings must be something between likeness and unlikeness, much like today's vulgarians, but not like to cheat popular people". In his later years, many of his works depict mice, shrimp or birds. He was also good at seal carving and called himself "the rich man of three hundred stone seals" (三百石印富翁). - Prov.: from a German private collection, family property for 40 years.
Qi Baishi: Blue fruits
Qi Baishi (Xiangtan 1864 - Peking 1957)
Blue fruits
Lot-No. 323
China, 20th cent. Ink/water colour on paper, lo. ri. dat. 'jiuyi sui' (九一歳), sign. 'Baishi' (白石) and seal of the artist 'muren' (木人), 31,5 x 21,5 cm. - influential Chinese painter. Born to a peasant family from Xiangtan, Hunan, Qi became a carpenter at 14, and learned to paint by himself. After he turned 40, he traveled, visiting various scenic spots in China. After 1917 he settled in Beijing. Probably most noted for the whimsical, often playful style of his watercolor works. Some of his major influences include the early Qing dynasty painter Bada Shanren (Zhu Da) and the Ming dynasty artist Xu Wei. His pseudonyms include Qi Huang (齊璜) and Qi Weiqing (齐渭清). The subjects of his paintings include almost everything, commonly animals, scenery, figures, toys, vegetables, and so on. He theorized that "paintings must be something between likeness and unlikeness, much like today's vulgarians, but not like to cheat popular people". In his later years, many of his works depict mice, shrimp or birds. He was also good at seal carving and called himself "the rich man of three hundred stone seals" (三百石印富翁). - Prov.: from a German private collection, family property for 40 years.