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Resting Boys

Franz Nölken (Hamburg 1884 - La Capelle 1918)


Resting Boys

Lot-No. 158


Charcoal drawing heightened with white, 30 x 35,5 cm, lo. ri. monogr. N, mounted on cardboard, unframed. - One the most important artist"s of early modernism in Hamburg a. of international importance, member of the Hamburgischer Künstlerclub a. the Dresden Brücke, accompanied F. Ahlers-Hestermann to Paris, where he became pupil of Matisse in 1909, his many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, Meyer-Tönnesmann "Der Hamburgische Künstlerclub von 1897", Kat. Galerie Herold m. WVZ. d. Gemälde u. Graphik von Meyer-Tönnesmann (Hamburg 1984) a. others.

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Franz Nölken: Resting Boys


Franz Nölken (Hamburg 1884 - La Capelle 1918)

Resting Boys

Lot-No. 158

Print

Charcoal drawing heightened with white, 30 x 35,5 cm, lo. ri. monogr. N, mounted on cardboard, unframed. - One the most important artist"s of early modernism in Hamburg a. of international importance, member of the Hamburgischer Künstlerclub a. the Dresden Brücke, accompanied F. Ahlers-Hestermann to Paris, where he became pupil of Matisse in 1909, his many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, Meyer-Tönnesmann "Der Hamburgische Künstlerclub von 1897", Kat. Galerie Herold m. WVZ. d. Gemälde u. Graphik von Meyer-Tönnesmann (Hamburg 1984) a. others.

Resting Boys
Resting Boys