After sale of the auction at 21st April 2012 - Page 1 of 2

Meissen, 18th cent. Rolling shape with rocailles and polychrome flower painting. At one side a fully sculptural female head. Without mark. L. 12 cm.

Nymphenburg, 20th cent. White porcelain. Design by Bustellig around 1756. Rhomb shield mark as blind embossing. Min. rest. H. 24 cm.

Meissen, 1745-1750. Characteristic shape with wooden side handle. At the wall revolving fine painting of scenes taken from the miner"s job. Gold border. Crossed swords in u"glaze blue. Min. fissure. H. 16 cm.

Meissen, middle of 18th cent. Relief decoration "Neubrandenstein". Including bright painting of flower bouquets and strewn flower. Each tureen with 2 side handles in naturalistic branch shape (without cover). Crossed swords in u"glaze blue. Min. prof. rest. H. 7,5 cm.

Meissen, around 1750. Relief decoration "Altozier" with gold rim. Bright painting with flower bouquets and strewn flowers ("Deutsche Blume"). Crossed swords in u"glaze blue. Diam. 22 cm.

Meissen, 1750-60. Relief decoration "Altozier" with gold rim. 3 larger bowls (diam. 28 cm) and a smaller one (diam. 24,5 cm). Crossed swords in u"glaze blue, partly with dot.

Meissen, middle of 18th cent. Corded wall with delicate flower relief in the Gotzkowsky-style. Painting with fine botanical flowers and on both sides the coat of arms of later Tzar Peter III. as a part of the St. Andrew"s order. Gold border and cover with flower pommel. Crossed swords in u"glaze blue. H. 13,5 cm. - The Andreas service was a present of the Saxonian elector August III. to the Russian Tzarina Elisabeth on the occasion of her nephew"s marriage, later Tzar Peter III. It is among the most important diplomatic services of the Meissen workshop and demonstrated the important role of porcelain in the historical context of the 18th century. See: Reinheckel, Meissener Prunkservice, Stuttgart 1989, p. 131.

KPM/Berlin, middle of 19th cent. Massive ancient shape on a base with naturalistic handles and rich gold decoration. At the front a rectangular reserve with fine painting on a turquoise underground, showing the Neues Palais (New Palace) in Potsdam. Sceptre- and Pfennig-mark. Min. prof. rest., mounting slightly loose. H. 43,5 cm. - The vase combines an Antique shape with a Prussian veduta. In this connection it recalls the important topographical Berlin-vases of the 1st half of the 19th cent. These vases show views on Prussian palaces and Berlin streets. The present motif is based on Carl Daniel Freydanck (See: Baer, Carl Daniel Freydanck 1811-1887, Ein Vedutenmaler der KPM, Berlin 1987). The same painting is on another showpiece vase, which was given to Queen Victoria"s doctor as a present by Prince Friedrich of Prussia and later Kaiser Friedrich III. (See: Ostergard [Hg.], Along the Royal Road: Berlin and Potsdam in KPM Porcelain and Painting 1815-1848, New York 1993, pp. 202f.) Furthermore the depiction of this last important architecture of Frederic the Great in the parc of Sanssouci (built 1763-69) demonstrates the glorification of the legendary Prussian king in the 19th cent.

KPM/Berlin, middle of 19th cent. In the centre a polychrome painting of a viola-bouquet. The rim with stargrid-border on a golden underground. Eagle mark and red orb. Diam. 24 cm.

KPM/Berlin, 1849-1870. Royal blue wall, unglazed, with plastical and relief decoration of bisque porcelain. Both sides with a mascaron of Dyonysus with gilded wine leaves. The side handles as sculptural nymphs holding grapes (min. broken). Sceptre and Pfennig-mark. H. 32,5 cm.

KPM/Berlin, around 1800. Ovoid vases with cover on a square cut base. Both sides with polychrome painting of romantic scenes in old German landscape. Cover, shoulder and foot with bright purple scurf underground. The side handles in the shape of plastical aries heads. Sceptre mark. Plastical decoration and covers partly rest. H. 35 cm.